The Ideal Film AI

This is prompted by Ben Bogart‘s question “What do you consider the most seminal representations of AI in cinema of all time?”

I think the best is yet to come. Ideally an AI (Artificial Intelligence) in a film would have two elements:

  1. The alien aspect: It’s not a human or some other animal (although it can be very similar).
  2. Some connection with humans (or a human), e.g. humanity created them for a job, or this particular human created this particular AI for some reason, etc. This is the difference between the screen character being just another sci-fi alien (extraterrestrial, previously-unknown terrestrial monster, et cetera).
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Autómata (dir. Gabe Ibáñez)

 

Automata and Tron: Legacy both make meager attempts to show AI emerging and evolving and trying to figure out their own way that’s not quite the same as for humans.

The robot R2D2 (Star Wars) superficially meets these ideals: we know it’s intelligent, yet it doesn’t speak English or get subtitles. Its connection with humans however is not really used in any interesting way in the film (we don’t analyze the slavery of robots in Star Wars …at least I don’t). And if the history stories are true, R2D2 and C3PO are just metal copies of the peasants from Akira Kurosawa’s The Hidden Fortress.

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The Hidden Fortress (dir. Akira Kurosawa)

 

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